MANDEVILLE SPECIAL COLLECTIONS LIBRARY
TECHNICAL SERVICES POLICIES AND PROCEDURES: SUPPLEMENT
Posted by: R. Arvid Nelsen Aug. 17, 2006
Last Updated: Aug. 17, 2006
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Special
Collections
Post-Cataloging Labeling
Revised 3/30/05 by dam
Special Collections uses streamers and computer generated
foil-backed labels to identify materials. The streamers and labels
contain as
much of the following information as the catalog record contains:
-Collection location (pre-stamped)
-Call number
-Main entry
-Volume number
-Brief
title
-Copy number
-Year of publication
1. COLLECTIONS:
Materials housed in our archive are placed into one of 6
major collections and may be part of
any number or sub-locations as
well. [NOTE: When the world “collection”
is used in this document and
within the department, we are referring to groups stored in proximity
to each other.] The six collections are:
|
Dept.
Abbreviation |
Collection
Name |
PAC Record
Abbreviation |
|
AIWF
|
American |
cpq |
|
ANP |
Archive for New Poetry |
cpa |
|
Goodman |
Goodman Collection of |
cpg |
|
Hill |
Hill Collection of
Pacific Voyages |
cph |
|
Southworth |
Southworth Spanish Civil
War Collection |
cpt |
|
Rare |
Department’s General
Collection |
cpx |
|
Reference |
Reference books on all
subjects |
cpr |
Every
collection also allows room for sublocations,
which accommodate materials with special requirements in terms of size,
fragility
or content, and must be shelved separately. Some sublocations are
listed below:
|
Dept.
Abbreviation |
Sublocation
Name |
PAC Record
Abbreviation |
|
FOL
|
Folio ; books between
32-52 cm |
f ; example:
cpqf = |
|
FF |
Flat Folio ; books over
52 cm; stored horizontally |
x ; example: cpax = |
|
MC |
Map case ; maps, art,
posters, etc.; stored horizontally |
m ; example: cpxm = |
|
D |
Serials |
d ; example: cpad = ANP Serials |
In
the hierarchy of call number order, the abbreviation for sublocation is
placed
directly AFTER the abbreviation for
the collection name. Therefore since a book in the AIWF collection will
be
catalogued as cpq, a folio that is
part of the AIWF collection would be referred to as an AIWF
folio and appear in records as cpqf. This
pattern applies to all the collections with
regard to all sublocations. That is to say, the collection
name/abbreviation
(ANP, Rare, Goodman…cpa, cpx, cpg) will be placed in front of the
sublocation
name/abbreviation (flat folio, folio, mc…x, f, m) so that they are
understood
to be: “ANP Flat Folio” (cpax); “Rare Folio” (cpxf); “Goodman Map Case”
(cpgm).
2. CALL NUMBERS:
Like
the rest of UCSD’s libraries, The Special Collections library employs
the Library
of Congress call numbering system. This illustration shows the parts of
the
call number and how to read them:
Shelving
order is alpha-numeric, so the rule of alphabetical ordering applies.
For
instance: a call number with L in the
first line comes before one that begins with a LA, and
both of those come after a call number with K in the
first line. If, for instance,
two books both have LB in their first
lines, you must look to the second line and shuffle according to
numerical
order. The process continues to the last line if all proceeding
elements are
identical. Here’s an illustration:

Volume
& Copy Numbers:
Volume and copy numbers are part of a book’s call number
and are placed in a specific order therein. The order is as follows: Volume number(s), followed by the copy
number. This is only applicable if a book is both part of a
multi-volume
set and a duplicate as well.
Volume number take up the first line after the basic call
number information has been typed in. Each book of a two volume set has
its own
streamer, which would look like these:
1225
1225
.R59 .R59
1945b
1945b
v. 1
v.
2
Sometimes,
a book may have a “part” number within a volume number. That is to say,
two
books would together be Volume 1 of a series. In order to differentiate
the two
texts, the line after volume number is used to present the issue
information:
NE
1225
1225
1225
.R59 .R59 .R59
1945b
1945b
1945b
v. 1
v.
1
v. 2
no. 1
no.
2
no. 1
Copy numbers also follow the basic call number. The big
thing to remember about copy numbers is that you DO NOT
SIGNIFY THE FIRST COPY. Only the second, third, etc
copies of a book are marked as duplicates:
Copy One
Copy
Two
1225 1225
.R59 .R59
1945b
1945b
v. 1
v.
1
no. 1
no.
1
c.2
Streamers:
We use streamers
in this department instead of spine labels. As you compare the record
on screen
with the paper record, always check
that the
collection name stamped at the top of the streamer corresponds to the
code. For
example, a record that shows cpx requires
a streamer that has been stamped Rare.
[NOTE: Sublocation name “Folio”, “Flat
Folio”, etc.” should be highlighted in yellow. If you can’t
find a
highlighter, ask your supervisor.]
Call
numbers are typed onto the left hand half of streamers. After checking
the
print-out record against any discrepancies on Pac, type the call number
between
the two black lines on the streamer, taking care to line up the first
character
of each line evenly.
Author and/or title information is typed on the right
hand half of the streamer, the “main entry” (author) first, then title
information. If there is no author, type title only. The first line of
this
information should start 5 spaces after the letter(s) of the call
number, like
so:
DU Gerould,
Katharine
623
.G4
1916
Space is limited on the streamers, of course, so If the
information
needs more than one line, start the second line indented 1 (one) space
from the
beginning of the first, like so:
DU Gerould,
Katharine
623
(
.G4
1916
For
the title information, skip one line, and type using the same spacing
as the
title, like so:
DU
Gerould, Katharine
624
(
.G4
1916
impressions
You
should always try to type the information as entered in the record, but
if the
name or title information is too long to fit legibly within the space
provided,
you may shorten it, but try to keep enough information to prevent
confusion
with similar titles (or different editions of the same title) on the
shelf
around the item (if any).
Names
can be shortened like so:
From: Gerould,
Katharine (
To: Gerould, Katharine or Gerould, K.
Titles
can be shortened with ellipses (…) like so:
From: Hawaii;
scenes and impressions
To: Hawaii;
scenes and …
Think
about how you look for books when you’re on paging duty and input
information
accordingly. With the exception of the
ANP collection, the call number is generally the most used access point
for
paging and shelving, so there is room to maneuver with the author/title
fields.
NOTE:
Streamers must be placed on the LAST
page of the book, not just anywhere in the book.
Envelopes
& Labels:
For envelopes, type call number and author/title
information right
on the envelope,
following
the same basic format as for streamers, starting at the top left of the
envelope, about ½ in. down. The first line should always consist
of the
abbreviation “SPEC” which marks the book as a part of Special
Collections. The
second line holds the collection and sublocation name just as they
would appear
on a streamer. Type author/title information starting on the first line
of the
call number, not the first line (SPEC). And, since there’s more room,
type the complete
information as entered in the record, and you can type the author/title
information more towards the center of the envelope, instead of only 5
spaces
from the beginning of the call number. Here’s and example:
SPEC
Hill Folio
DU
Gerould,
Katharine (
624
.G4
1916
If for some
reason you have
to manually type a label, follow the same procedure.
3.
MAIN
ENTRY
What is a main entry?
The main entry of a catalog record states the
name of the author of the material, whether it be an individual,
corporation,
conference or a uniform title. It is usually a 1xx field of the OCLC
record,
the variations of which are listed here:
100 = personal
name
110
= corporate body
111
= conference name
130
= uniform title (in this
case type
line as title)
Personal Name Main Entry (100)
Type the full name on streamers, envelopes
and labels. The last name comes first, then a comma, then the first
name. When
there are multiple names or a title prefix, include them if space
permits. Here
are a few examples:
Catalogue record: 100
10 Meyer,
Adolf Bernard
You would then
type: Meyer, Adolf Bernhard
or
Meyer,
Adolf B.
Catalogue
record: 100 10
Childress, Dr. Sandra Hoague
You would then
type: Childress, Dr. Sandra Hoague
or
Childress, Dr. Sandra H.
Catalogue record:
100 10
Rodriguez, Erendira
Mendoza
Ruiz
You would then
type: Rodriguez, Erendira Mendoza Ruiz
or
Rodriguez, Erendira Mendoza
R.
or
Rodriguez, Erendira M. R.
or
Rodriguez,
E. M. R.
Corporate
Author Main Entry (110)
Type up to the first element (first element
refers to the words until the first period) AND at least the first
three worlds
of the second element (words after that period). If there is enough
space, it
is better to write as much of the second element as possible in order
that it
may be distinctive.
Catalogue
record: 110 20
University
of
Student
Research and Information, Student Affairs
You
would then type:
Student
Research…
By typing as
much of the
second element as possible, you make it that much harder to confuse the
book
with one of a similar title.
Uniform Title (130)
When it comes to the uniform title, type
the entire 130 field. Don’t
include the title that appears in the 245 line. See below:
Catalogue
record: 130 3 Bible. 1
English.
F 1867 s Smith
You would then
type: Bible.
English. 1867. Smith
Title Main Entry (and Titles with Author Main Entry)
If there is no author field, then the 245 field
(title) is the main entry.
When using the 245 field, type at least the first four words (more, if
they are
not distinctive enough) or up to the sub-field b. Try not to exceed
more than
two lines in this endeavor. Examples below:
Catalogue record:
245 00
Seis personajes de la Rotonda de los
You would then type:
Seis personajes de la…
Side note: NEVER USE THE INFORMATION FROM THE 240
FIELD ON A STREAMER, ENVELOPE OR LABEL…PRETEND IT DOESN’T EXIST.
The 240
line can be confusing in that it reads like it is the title of the
book. It is
NOT, however, title under which the book is shelved or can be found,
and is
therefore useless in the QC process.
IV.
PUTTING
IT ALL TOGETHER
Streamers, Envelopes & Labels:
So far this packet has been passing along how
to correctly record specific parts of a streamer/label; now it’s time
to use
that knowledge for the big picture. The general format for typing both
main
entry and brief entry is:
Call no.
Main entry………….
…
…………………..
…
… Title……………
…
……………………..
The formatting
is very, VERY
important. There are numerous books in the archive that have been
processed by
a long line of student workers over the years. Uniformity is needed so
that
anyone pulling a book from the stacks will be able to receive pertinent
information with a glance at the streamer instead of taking more time
to figure
out where the author name is located in relation to the title, etc. It
just
makes for an easier experience all around. Here are some guidelines for
the
basic format:
1)
Line the call number up evenly on the left hand
margin of the streamer, envelope, or label.
2)
The main entry (author) field is indented 5 spaces
from the letter(s) of the call number on a streamer.
3)
When entries take up two lines (or more), remember
to indent the second line of the main entry one space to the right of
the line
above it.
4)
Skip one line down before beginning the title.
5)
The format and spacing of the title field is the
same as the main entry.
Final Step in Labeling
Process
The final step in the labeling process is to mark the
upper-left hand corner of the back of the last page of the item with a
soft-lead pencil. Write “SPEC” (denoting Special Collections), followed
by the
collection location and complete call number as it appears on the
streamer.
Write as lightly as you can while still making the call number legible.
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